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       <title>Dance-and-Electronic - vagmusic.com</title>
       <link>http://www.vagmusic.com/articles/Dance-and-Electronic_Summary.html</link>
       <description>Dance music, as the word indicates, refers to any kind of music that aims to accompany dancing. On the other hand, electronic music is a term that refers to all that music which is created using electronic devices. Today, many styles and sub styles belonging to this genre have arisen and electronic art music, musique concrète; the industrial music, techno, breakbeat, trance, house, electro, among others. This is the type of music which rhythm and melodies make it perfect to dance and enjoy the music.</description>
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   <title>Daft Punk Creating Innovative Dance Music Tracks</title>
   <link>http://www.vagmusic.com/articles/Genres_7777.html</link>
   <pubDate>Thu, 13 Apr 2006 11:44:41 CST</pubDate>
   <description>Daft Punk is the group title of Paris band Thomas Bangalter and Guy-Manuel de Homem-Christo. The duo is well thought-out and one of the mainly winning electronic music teamwork of all history, both in critical approvals and in records sales. The title Daft Punk was motivated by an article in the British music journal Melody Maker that gave critics to their first work, the Beach Boys motivated by guitar band Darlin, "a bunch of daft punk." Their initial song was "The New Wave" a restricted launch on Soma in 1994. Their initial marketing victorious song "Da Funk" came the next year, and was soon incorporated on their 1997 initial record “Homework”. “Homework” was observed as a ground-breaking mixture of electro, acid house, house and techno styles, and is extensively recognized as one of the mainly significant dance music records of the 1990s. "Around The World" was the mainly victorious song from “Homework” record, notorious for its rhythmic song of "around the world, around the world" and characteristic video. <br /><br />In a meeting with Remix Magazine Online, the band said that the record was visualized as an effort to re-attach with a lighthearted, open minded approach connected with the finding era of childhood. These accounts for the serious employment of subjects and examples from the seventies and early eighties epoch on the record. Fascinatingly sufficient, two songs had unappreciated trials. A live record including a forty five-minute set from the “Homework” concerts edited in Manchester in 1997 was also launched in 2001, called “Alive 1997”.</description>
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   <title>Cascada Amazing Multitudes on Its Tours</title>
   <link>http://www.vagmusic.com/articles/Genres_7776.html</link>
   <pubDate>Thu, 13 Apr 2006 11:43:13 CST</pubDate>
   <description>Cascada is composed of singer Natalie Horler and two German DJ-producers Manian and Yanou. Cascada, better know as Cascade is renowned around the planet as the trio owner of the Top song "Everytime We Touch", a mix of the Maggie Reiley single. The plan was in the beginning called "Cascade", but was altered due to lawful problems to "Cascada". The title "Cascade" can be read on the initial edition records and CDs of "Miracle" make known by the band by their unit label at the date, Andorfine, but this mistake was soon fixed and the song was re-launched with the Cascada title with new wrap art. The initial versions are now out of store and creation, and might very fit be known as a part of history in the extended run. <br /><br />Cascada has labored on several plans for DJ Manian and a 2 Vibez song by Bass-T named "Sometimes". DJ Manian and Yanou produced the melodies and beat that influenced Cascada's songs. Another plan that Natalie, DJ Manian, and Yanou have labored on mutually is the "Siria" side plan that produced the songs "I Will Believe It" and "Endless Summer".  Some of its works are: "How Do You Do!", "Everytime We Touch", "Bad Boy", "Miracle" and innumerable re-mixes. "How Do You Do!” a pre-song of the 1992 Roxette single, was launched on November 19, 2005. <br /><br />Cascada has been full of activity traveling America in addition to Germany, Ireland and Austria having amazing multitude and acquiring excellent reviews. New York Times said, "a bright female voice, a hard and ruthless beat, a tune catchy enough to ruin your day..."</description>
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   <title>Ben Watt Fighting For Life</title>
   <link>http://www.vagmusic.com/articles/Genres_7746.html</link>
   <pubDate>Wed, 12 Apr 2006 08:26:50 CST</pubDate>
   <description>Ben Watt born on December 6, 1962. He is a music label boss, DJ and producer of Buzzin' Fly Records. He is best recognized as half of the couple in Everything but the Girl, that initial plays jointly in 1982. That year, EBTG's Tracey Thorn distributed her singly debut, A Distant Shore, even as Watt shows his, North Marine Drive, the next year. Watt's LP where the number one on the United Kingdom charts and features an article of Bob Dylan's "You're Gonna Make Me Lonesome When You Go." “Everything but the Girl's” first records was lite combined with jazz, but their most important worldwide come through in the dance music type with Todd Terry's 1995 re-editing of the track "Missing," that in the beginning where on the record Amplified Heart. “Everything but the Girl” productively made the shift to the "new jazz" of house, techno, and trip-hop. That change can be seen as a renewal individually and musically. <br /><br />After the conclusion of the duo's 1992 record, “Acoustic”, Watt acquired the uncommon autoimmune system illness or Churg-Strauss Syndrome that almost killed him. Argumentative of chest troubles, Watt was hospitalized for 8 weeks and in that occasion lost over forty pounds and 85 % of his Small Intestine. Recuperation took an extensive time and was in no way an assurance. Out of his fight with the lethal illness, Watt wrote an individual journal, called “Patient: The History of a Rare Illness” that was in print by Grove Press. Ben attributes his aptitude to stay animated and youthful at heart to his re-edited work and DJ part job, Lazy Dog, a current club program that is guided frequently in London. </description>
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   <title>Bad Boy Joe Master in Editing Records</title>
   <link>http://www.vagmusic.com/articles/Genres_7664.html</link>
   <pubDate>Tue, 11 Apr 2006 04:24:21 CST</pubDate>
   <description>Joe Marcano, better know as Bad Boy Joe, is a DJ, producer and remixer from Brooklyn. He lives a dual life, spinning tribal-house one night and brilliant freestyle the next. Energized by the music of the Nunez and Latin Rascals Chep, Bad Boy Joe acquired his first couple of turntables in 1998. He made mixtapes for friends, and their enthusiasm influenced Joe to take it to the next level. He acquired a second-hand reel-to-reel, several shaver blades, and a lot of Scotch adhesive tape and began re-editing and remixing songs. His DJing and re-editing abilities gave him to the interest of Louie DeVito, who signed Joe to assist with his NYC Underground Party editing sequences. <br /><br />Bad Boy Joe is distant from being the classic music producer. Best recognized as the man behind numerous victorious editing records, most particularly The NYC Underground Party Records, that up to now have sold more than 1,700,000 records and continue the principal selling music records in United State history, and increasing on this hit with the Dance Divas and Dance Factory series. Plus to this, his own thriving Feel The Drums or NYC AfterHours sequences, that up to now have vended more than 75,000 records, and the Old School Freestyle collections: The Best Of Freestyle Megamix Volumes 1 Thru 5, that also have vended more than 400,000 records, and Bad Boy Joe is definitely a professional of his technique.   </description>
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   <title>Andy Hunter a British Composer and DJ</title>
   <link>http://www.vagmusic.com/articles/Genres_7591.html</link>
   <pubDate>Tue, 11 Apr 2006 09:17:48 CST</pubDate>
   <description>Andy Hunter was born in the center-land of England in the middle 1970s, and became implicated in music in his first days of teenage years, and became attracted in sound production in the 90's. He is a composer for EDM music and British DJ, frequently with a Christian bend. He started to labor with The Wonder Stuff and Suede. In 1992, he united the Mission and New Generation Music as a tour engineer and went to Bristol a view that was contravention bass and drum. Over the following ten years, Hunter labored hard in the recording studio, producing a new and electrifying way of music. In fall of 2002, his labor finished in his impressive work Exodus, that he distributed on Nettwerk. Early in 2005, Hunter distributed a 6-song record named Life. With news like Rolling Stone giving his initial record Exodus supports, and emergences in video movies and games, he has traveled all the way through Europe, Japan and the United States with number one names in the dance song industry. <br /><br />He, in recent times, plays at Midem's aperture night party in Cannes, France, a worldwide music convention that gets together heads of business from the technology and music world. Last year, he also was on the stage at the Digital Entertainment Anywhere opening, guided by Bill Gates, in Los Angeles.</description>
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   <title>“Gerald” a Fine Music Producer and DJ</title>
   <link>http://www.vagmusic.com/articles/Genres_7554.html</link>
   <pubDate>Mon, 10 Apr 2006 03:05:10 CST</pubDate>
   <description>A man named “Gerald” is the artist name for musician, music producer and DJ Gerald Simpson. He has demonstrated to be between the most ground-breaking contemporary electronic music records to appear during the 1980s. He is possibly best recognized for his initial work in the Manchester England cutting house sight in the 1980s and the song "Voodoo Ray". At that point in time, he focused in techno music formed using tools, for example the Roland TB-303 low mechanism and the TR-808 pulsate mechanism (he resources much of his tools from Johnny Roadhouse, a hand-me-down music store on Oxford Road in Manchester). <br /><br />Gerald was profoundly predisposed by his Jamaican ancestry; his father's ska, blue-beat and Trojan reggae music compilation, his mother's Pentecostal minister meeting and the Jamaican Sound organism (DJ) parties in Manchester's Moss Side area where he developed. He captivated jazz fusion at some sites such as Legends in Manchester where the dancefloor in the beginnings of 1980s stimulated him to learn modern dance. Around 1983 with electro blooming and first hip hop, b-boy and Breakdancing customs making its way from the United States, he missed Dance College to throw himself into electronic tune. At the moment music from Chicago and Detroit and from makers like Kevin Saunderson, Derrick May, Juan Atkins was being performed by Stu Allen on Piccadilly Radio and imported in a straight line into Manchester's expert music store.</description>
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